Some might say that Jay Asquini became
a painter accidentally. After all, it is true that he turned to painting
only after surviving the life-altering ordeal of shattering his spine
in a fall one fateful Sunday morning in 2001.
Asquini’s family history tells another story though, one
of remarkable creative talent leading back to his maternal grandfather,
William O. Block. Perhaps his most notable creative endeavor, Block
began his nearly 40-year career in the auto industry as the first
stylist Henry Ford ever hired.
The next artist in Asquini’s creative lineage is his mother,
Betty Lou (Block) Asquini. A painter of fine equine and canine
portraits, she has developed her own national following. Along
the way, she also helped lay the groundwork for Asquini’s
knowledge of painting, including composition and the use of color.
Theirs was a home filled with independent spirit and original art.
Asquini’s formal career as an artist actually began in the
1980s, when he ventured into the world of commercial photography.
Over the next 20 years, his ability to create dramatic images of
industrial subjects earned him a reputation as the Industrial Strength
photographer. Eventually, he came to be recognized as a national
leader in the field of photography and was elected to numerous
positions in the American Society of Media Photographers. He also
produced seminars on photographic technique and business practices,
presenting them all across the country.
Then, in 2001, shortly after Asquini began shifting his photographic
work toward advertising and lifestyle subjects, his whole world
came crashing down. Literally.
Asquini fell from a ladder while trimming a tree in his backyard –– and
shattered his spine. In an effort to save his life and prevent any paralysis,
doctors reinforced a large section of Asquini’s upper spine with
titanium rods and screws. Given the extreme amount of damage that had
occurred, their work was nothing short of miraculous. His recovery, while
possible, would be a long, hard road.
Nearly a year later, while still recovering, Asquini picked
up a brush at the insistence of a friend and was immediately
captivated by the process. Though his new physical limitations
severely restrict production, Asquini has found that he’s
much better suited to the relaxed rhythm of painting than
the strenuous pace of commercial photography.
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Brimming with layer upon layer of colorful emotion, Jay Asquini’s
courageous paintings focus on people in a refreshingly unconventional
way. He delights in dreaming up complex stories and then employing
dynamic brush strokes, bold color, and unusual points of view to
bring his quirky cast of characters to life. Whether through quiet
contemplation or a spirited conversation with a friend, you’re
sure to find his stories an absolute pleasure to unravel. As Asquini
is so fond of saying – Viva!
Critical Acclaim
“We’re really excited to have his work. There’s
such vitality in it. It’s colorful.
It’s alive.”
– Tom Clark, Village Gallery
“He definitely has something to say and
it shows in his work.”
– Amy Swiney, Ave Maria Gallery
“His paintings are for people who would rather look at art
than watch television. His work can sustain it. There’s that
much feeling in it.”
– Scott Kozaruk, Progressive Art
“Jay Asquini has a visceral love for brush and paint. His
paintings are rhapsodic, joyful.”
– Veronica Pasfield, Critic
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